Geffen Playhouse | Director: Daniel Aukin

For the second production of this play, the director and playwright wanted to send the music in a new direction after the premiere. My score ended up having elements of glitch, EDM, and dance music, with an edge that made it deliberately incongruous when compared to the relatively sophisticated and tasteful (and very wealthy) world of the play.

Here are five examples of music transitions from the play.

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